Mr Livingstone I presume!

red kenI am astonished that the BBC report on the Livingstone affair today lets him get away with the perverted chronology that he presents as “fact” on BBC Radio London. Either he is wrong and the BBC have avoided making that clear or he is right. No subsequent BBC report makes it clear that his so-called “facts” are wrong.

The impression, instead, given in reports is that his error lies in his attempts to smudge over Naz Shah’s supposed anti-semitism. In fact, Livingstone is just wrong.

And let’s get something else clear from the beginning- it is quite possible to be critical of current Israeli policy (It may even be not only “possible” but “necessary”) without being anti-semitic. Not all Jews support the State of Israel, and even among those who do, there are many who openly reject the current treatment of Palestinians.

This is what Livingstone said,

“It’s completely over the top. It’s not anti-semitic. Let’s remember when Hitler won his election in 1932, his policy then was that Jews should be moved to Israel. He was supporting zionism before he went mad and ended up killing 6 million Jews…” He went on to add  that Hitler was “a monster from start to finish” but he claimed to have been quoting “historical facts”.

His history is wrong. And it is wrong of the BBC to let him get away with this.

The facts are very simple, when Hitler came to power in 1932(sic), a wave of international horror at the treatment of Jews in Germany, known now as the “anti-Nazi boycott”started in New York two months after he became chancellor and continued in various forms until the outbreak of the war. There was already a good deal of anti-semitism, and indeed the Catholic Bishop of Linz thought anti-semitism was “a moral duty”, something he announced in January 1933, when Hitler became Chancellor. But the full force of hatred was fired by outrageous lines like this in Mein Kampf: “Hence today I believe that I am acting in accordance with the will of the Almighty Creator: ‘by defending myself against the Jew, I am fighting for the work of the Lord.” and elsewhere he argues that it was the “deceit of Jews” that led to Germany’s defeat in the First world war- “the sacrifice of millions at the front” would have been prevented “if twelve or fifteen thousand of these Hebrew corrupters of the people had been held under poison gas.” Strong words from the man who cannot dodge responsibility for the Holocaust. They were echoed in the Nazi party newspaper, Der Sturmer which had the motto “the Jews are our misfortune”. In 1941, one day after declaring war on the US, he brought up this same argument in Berlin to justify the annihilation of Jews. Hans Frank, who attended this briefing, went on to brief his own officials in Krakow saying, “in Berlin,” he had been told “to liquidate the Jews….As an old National Socialist, I must state that if the Jewish clan were to survive the war in Europe, while we sacrificed our best blood in the defence of Europe, then this war would only represent a partial success.

“With respect to the Jews, therefore, I will only operate on the assumption that they will disappear… We must exterminate the Jews wherever we find them.(Auschwitz: The Nazis and the ‘Final Solution’, BBC Books, 2005, p.112)

Goebbels proposed a number of “countermeasures”, really an excuse to boycott and close Jewish businesses in Germany with Goebbels on record saying “the boycott will be resumed until German Jewry has been annihilated”. Placards outside Jewish shops told people not to use them- Kauf nicht bei Juden! and Die Juden sind unser Unglück! Within one week, beginning on April 1st 1933, a one-day boycott of Jewish shops escalated into the wholesale banning of Jewish workers from Government jobs and from practicing law. Only the Lutheran church opposed the sanctions while Catholic bishops had what was described as “cordial” chats with the Führer. By the end of April, Jewish children were being turned away from schools under the “Overcrowding in German Schools and Schools of Higher Education Act”.

The Haavara agreement was a further response by Hitler’s Germany to the Anti-Nazi Boycott, brokered partly by the Va’ad Leumi organisation. This was signed on 25th August 1933, but although it facilitated the emigration of 60,000 people to what was then called Palestine, it also involved confiscating their property in Germany. A complex and half-hearted refunding process had already been in place through Hanotea for shipping goods from Germany to Israel.

Hitler was certainly not a supporter of the agreement and the impression given is that he was dragged into it because he feared the Anti-Nazi boycott was destroying the fragile efforts made to sort out the German economy. Johann von Leers and Achim Gercke also did not support the Palestinan agreement advancing resettlement instead to Madagascar as a way to solve the “Judenfrage” It was only 2 years’ later that the Nuremberg Laws came into effect. The rest is certainly “history”.

Whatever happens to Livingstone and Naz Shah, the BBC comes out of this looking distinctly shabby. I have just renewed my TV licence: I regret that now. A shame.

 

Miqdaad Versi’s campaign

Just a footnote here to draw attention to the work of Mr Versi who works for the Muslim council of Great Britain. Sloppy journalism simply has no place in defining the way we tackle extremism and the threat of terror. On 23rd March, he tweeted a correction to some rather silly reports that suggested that Muslims were not doing enough to stop the spread and influence of ISIS. We should be careful not to soak up the nonsense peddled by twits like Trump who claimed there are no-go” areas in Britain There may well be, and they are reserved for people peddling the nonsense you peddle, Mr Trump. For God sake, Donald, grow up! It matters not one jot whether you eventually secure the Presidency or whether you are just in this race for the pleasure of making hell, you are a public figure, and you have responsibilities – not, I think to “truth” but to “probity”, common decency.

This is what Mr Versi wrote:

We’ve had mosques that throw extremists out of their midsts. We’ve had many hundreds of Muslims reporting other Muslims to the police and to counter-terror officials. We have over 95% of Muslims saying if there is any Muslim within their own community, maybe committing an attack, they would report them. Of course there are fringe elements in any community and there are people who have gone to Syria to fight for Daesh or so-called ISIS. They are people we need to stop.

 

The Aegean idea

There are 47,500 migrants stranded in Greece at the moment. These are the ones who are counted and regarded as part of the ongoing “EU migration” process. There are countless more who have found a way of hovering on the fringes of Greek society, making a buck in the cinemas near Omonia and begging or stealing whatever they can to get by. Certainly the current agreement does nothing for them and does little to sort out the squalor that remains in Idomeni. All it will do at best is to send a signal to the people who manage the boats in Turkey that this Aegean crossing is closed. After 4 years, that is modest progress, but I was talking about the dangers of this people-smuggling issue nearly 15 years ago and no one paid much attention to me then.

So what is changing now?

An agreement about illegal migration to Greece may well have taken place, but to implement it will involve the movement of countless judges and lawyers from Athens to the islands, as well as the 2300 experts cited by Tsipras and imported from mainland europe to oversee the process, because presumably each of the migrants landing on Samos or Lesbos or wherever will demand and be entitled to a legally responsible decision before being shipped back to Turkey (lest the plan fall foul of the declarations made by the UN under the Geneva Convention). More than that, the EU deal will not process back those refugees already on Greek soil- Turkey ruled that out on 10th March!merkel

I find it hard to see how Greece will be able to manage this in practice, so whether the deal with Turkey and the EU is morally or legally sound, it still faces a practical problem. What has taken months of legal work in Athens so far will now be done in a matter of hours in makeshift courts along the seafront of Samos- I doubt it somehow! As I understand it, however, the Syrians who are deported from Turkey to the EU will be sent to specific EU countries to be processed, so this might ease the burden on Greece  in the long run and that thought alone might energise the process a bit.

Amnesty calls the EU/turkey agreement a “historic blow to human rights”, though to be fair, when I was in Greece, Amnesty had been infiltrated by some very peculiar people, some of whom were certainly illegal migrants. So, as Christine Keeler might have said, “They would say that, wouldn’t they!”

It seems unclear, at the moment, whether Greece is also being awarded extra funds to deal with this. If not, I await the outcry from Athens (a) that Turkey is being unfairly awarded 6 billion euros and (b) that this much hyped agreement merely moves the problem from one country to another. It might deter the boats in the Aegean, but it will hardly stop the boats already arriving again in Malta from Libya and Tunisia..

And it does not answer the moral question at all- why should a country like Turkey accommodate so many more refugees/migrants than the 28 different countries currently in the EU? I worry that we have somehow shifted all discussions away from the bigger picture and we are focused only on making a quick “deal”- in other words, have we just all become barrow-boys or costermongers in some sort of market-place… oh yes, we have! And wasn’t it once called “the Common Market”?

Whatever trading we do, we must not forget the bigger picture. We need a moral centre, not just a tidy profit or a quick solution.

Do not fear!

welbyI need to choose words very carefully here- I am stepping over (or into!) the shoes of the current Archbishop of Canterbury. I am certainly challenging what he said. Justin Welby preached “fear” and that, to me is a red line that should never be crossed. Gone are the days when the pulpit offered such entertainment. Today we can cast our minds back to “Hammer Horror” if we want a thrill, or we can look to the diet of films that have played out in the few years since the millenium. Here are a selection of such films for a man evidently hooked on “fear” like the current Primate of Canterbury- “The others” (2001), and Mulholland Drive (2001), “the Ring”(2002), “Orphan”(2009),  “the descent” (2005), “Bug” (2006), “Let the right one in” (2008) and its sequel “Let me in” (2010). We do not need fear-mongers in the pulpit and certainly not those who advocate principles that fly in the face of their own vocation. At a time when the TV is filled with the xenophobic rants of Trump, I believe Justin Welby makes a bad problem worse. In short, as the senior cleric in the UK and leader or guardian of our moral health, he had no right to sanction our fear of migrants.

Wesley’s rather than Welby’s “fear”

But, to be fair to Welby, “fear” is a confused word in the mouths of English Churchmen. “Work out your salvation”, says Paul in the King James Version, “with Fear and trembling”. It seems to me, for instance, that there is certainly room for this kind of “fear” in the next few months because we shall be making a collective decision at the Referendum that will determine the way this country works and to do that casually would be folly. We should be mindful and in the language of John Wesley, therefore, that might mean we should be “fearful”; in other words, we should be respectful and careful. My own name calls out the same message- “Timothy” comes from two greek words meaning literally to “fear God”, but the sense of this name is to be “respectful”, not to be cowering in terror or worried about whether God might steal my job.

Calling for fear in this debate is tantamount to a licence for racism or at least xenophobia and that must be wrong in the mouth of an Archbishop.

The Fear stuff comes in an interview published in “House” magazine where Welby concedes there is , in his words, “a colossal crisis” because of migration into Europe. That is perfectly reasonable. He then says that people who express fear about this migration are not racist -“There is a tendency to say ‘those people are racist’, which is just outrageous, absolutely outrageous.” He went on and added ” and the UK should be “taking its fair share of the load”. (well, thank God he concedes that much!)

“Fear is a valid emotion at a time of such colossal crisis.

“This is one of the greatest movements of people in human history. Just enormous. And to be anxious about that is very reasonable.” (*TW: note how he’s already back-tracking. anxiety rather than fear, so he knows he said the wrong thing!)

However, it seems to me that fear is not a valid emotion in this context (though I admit there are instances where migrants have behaved badly) and in a country where there is actually a good deal of wealth, we should be better placed to manage people’s insecurities and at the same time, offer significantly more hope to those who have turned to us with outstretched arms, looking for a better life or looking for any sort of life at all!

These words, of course, play well in the hands of the BREXIT group- as Ian Duncan Smith intoned-

“These are rational comments from the archbishop – they’re to be welcomed – but you wonder just how late they’ve come from various people in institutions, so I congratulate him. If you think back, for far too many years what’s happened is that in a sense the elites have all said ‘It’s terrible to talk about immigration and if you do you’re racist’, so they’ve shut down the debate for many, many years.”

But we should not be engaged in this debate and certainly it should not have been started or been licenced by the Archbishop. Welby’s job is to preach the Gospel, and he would do well to heed the message in Matthew 25:36- to provide for the needy, the poor, to visit prisoners, the sick and the dying. He might also look at Gen 23:4, Ex 2.22, Lev 25:23, 1 Chron 29:15,Ps 39:12, 119:19,  Hebrews 11:13 and reflect on the fact that we might all migrants and all in need of shelter. There, but for the grace of God…

The Greek example:

I also refer the Archbishop to the example of the villages on Lesbos, Kos, Chios, Samos, Rhodes and Leros who have good reason to fear for their security in an economoc crisis frankly imposed on them by Northern European bullies. These islanders have routinely shown migrants pouring on to their shores the hospitality and shelter that Welby ignores.There may be fear- but it is Welby’s job to preach an answer to fear, and that answer is kindness.

The islanders in Greece deserve a nobel prize in the same way that Welby deserves to be stripped of his office (or at least suspended for the duration of the Referendum). This is what Spyros Limneos said,

“By opening their hearts the islanders sent a powerful message that humanity is above races, above nations.”

Humza Yousaf, up in Scotland, has the right idea, of course! Certainly he’s ready to debate the idea without all this “fear” nonsense. But really, he is not alone. We may talk about the many things we must thank the waves of migrants for over the years- from fine tailoring to fish and chips but we must still also be ready as a Nation to help those who need help now, and- as for economic migrants: well, many of those we need too- they are the ones with the vision and maybe the skills to kickstart our economy. Fear-mongers are just plain wrong!

humza

Oh, and unless it looks like I advocate a migrant “free for all”, not at all. Our responsibility is to be ready without fear to welcome these strangers but the response to our kindness and hospitality is also responsibility and people who come here have their own responsibility to learn our language, promote our values and engage in our society.

Migration is not part of the Referendum

I understand many of the arguments put forward by BREXIT as also by the “staying in” camp, but there are enough valid issues to be discussed without touching on that of migration: economics, fishing, farming, political independence and so on. Moreoever, the migration issue was surely done to death last year by the nasty brigade that lurks within UKIP (Believe me, there are some very good and noble UKIPpers who, like me, think the migration issue should be off-limits). Migration is a separate deal that will be solved by finding a Syrian peace, and by working in harmony with our neighbours to deal with the flow of migrants: the migration issue will continue whether we are “in” or “out” of the EU and the Archbishop gives a very cheap and simplistic lead in what he says today. What he also says is categorically against the spirit not only of Christianity which he represents, but of Judaism and Islam. It is wholly wrong. Leave it to others to preach fear if he must. BUT If he intends to stay in office, or indeed leave office with any honour, this garrulous priest needs to shut his mouth for the rest of the summer.

Boris

Boris lightened the tone today by referencing Welby’s comments and saying that after the referendum, we may need prayer. We certainly need unity and we need to work on that now. the referendum may well energise our democracy but we must be careful that it does not fracture our society as indeed the Scottish referendum threatened to do. We need to engage in this debate without fear, and look at both sides so we can reach a decision that leads us to make a reliable and informed vote in the summer. It is the role of the churches and faiths to bind us together during this process: we will remain a single Nation and British whether we are “in” or “out”. I would like to see us become a better Nation for this debate.

to the Queen

http://www.breitbart.com/london/2015/06/25/exclusive-buckingham-palace-backs-queen-on-europe-speech/

queen1There is a great moment in the play “A Man for All Seasons” by Robert Bolt when Thomas More is finally brought to trial for treason and faces Sir Richard Rich (played in the film by John Hurt), the man who has perjured himself and More asks, “Is it probable that after so long a silence on this the very point so urgently sought of me, I should open my mind to such a man as that?” As Richard prepares to leave the chamber, More looks at his new chain of office- “the red dragon?.. Why Richard it profits a man nothing to give his soul for the whole world, but for Wales?”

This exchange is very much in my mind as I read about the alleged indiscretion about EU by Her Majesty the Queen. Quite apart from the fact that private conversations are by custom never made public, the question lingers- why would a monarch who has spent 63 years carefully avoiding political controversy open her heart to the people at lunch that day on 8th April 2011? I simply find it unbelievable. The Queen is above party politics and this story should not have been splashed over the front page of The Sun. But as it was, it is worth looking in a bit more detail to see that is actually alleged to have been said-

In 2011, the Queen is supposed to have told Nick Clegg that she believed the EU was going in the “wrong direction”. She was apparently very forceful in the presentation of her views. This was when the Euro was in full-blown crisis, with a deeply dodgy Italian Prime Minister clinging on to office despite a gathering sex scandal, and just before the first IMF bailout to Greece. The lunch took place on 8th April so a quick trawl through the internet shows that on 7th, Portugal joined Greece in requesting financial help. So, (a) Her Majesty’s alleged views well-precede any serious discussion on a Brexit, and are long before the PM called a Referendum and (b) are little more than a statement of fact. I cannot imagine anyone with sanity believes that EU has been infallible or foolpoof and indeed, most people would agree with the Queen, even today, whether they advocate an “in” or “out” option in the Referendum. If she said anything at all, then some serious “spin” has been added to the telling.

However, both Lord Mcnally and Nick Clegg deny that any such views were expressed at all at the Lunch. Nick Clegg said on TV this morning, ‘It is not true. I have certainly, absolutely no recollection of a conversation like that, which I suspect I would have remembered if it had taken place. I just think it’s wrong that people who want to take us out of the European Union to now try and drag the Queen for their own purposes into this European referendum debate.’

However, there can be no doubt at all that the EU has followed “the wrong direction” and requires (radical) reform, so that simple statement, whether made by the Queen or not, neither supports a BREXIT nor a “stay in” vote. It is simply common sense. I hope enough noise is now made about the referendum that, whatever the result, the EU tidies up its act significantly. There should never have been reason to campaign for the fishermen in Cornwall, but their livelihood is in danger as indeed is the whole British Fishing industry. The way Europe has treated Greece is deplorable and its handling of the Syrian refugee crisis has been tardy, sanctimonious and foolhardy. There are times when urgent action is demanded and instead, the EU has observed a number of serious crises, from the banking crisis to the humanitarian crisis that is Syria and, frankly, fiddled. “The wrong direction?” Most certainly!

But to draw from this comment in 2011 the conclusion that the Queen favours BREXIT in 2016 is absurd and cheap. A number of people today are being exposed as the possible source of this Palace leak- and how petty, weak and insignificant they appear – dragging the Monarch into a debate she never entered and scoring a cheap home-goal.

Among those who deserve a smack is the otherwise admirable Rees Mogg: He was reported in the original Sun report as saying “I’d be delighted if this was true and Her Majesty is a Brexiter.” He later tweeted “The Queen will be mortified to have been manipulated thus. It does Brexit enormous discredit.”So, let’s hope Mr Rees Mogg was also been mis-quoted by the people in the Sun. It wouldn’t be the first time.

gove

Apparently, beyond Mr Clegg and another Liberal, Lord McNally (both champions of the “In” campaign anyway), there are two likely candidates for leaking the alleged comments- they are, firstly as forerunner and chief suspect, Michael Gove, the Justice Secretary and a prominent “outer” who says he had “no idea” where the claims came from and whose department underlined his innocence  this morning with the statement that, ‘We don’t comment on private conversations with the Queen.’ Secondly, the Welsh Secretary, Cheryl Gillian, who, so far, has issued no denials – what should we conclude?

“Why Cheryl, it profits a man nothing to give his soul for the whole world, but for Wales?”

 

PS: here is a link to a Breitbart article. This organisation is very pro-UKIP so I think more reliable than most to stress the Queen’s pro-EU thoughts. It claims her speech was written for her, so does not express her views… but I think it restores balance and frankly is in tune with the Queen’s approach to what matters- unity and kindness. Whatever our views on the referendum, we must now look beyond that to ensure that unity in our country is fully restored as soon as any decision is made.

http://www.breitbart.com/london/2015/06/25/exclusive-buckingham-palace-backs-queen-on-europe-speech/

“Since 1945 the United Kingdom has determined to number among Germany’s very strongest friends in Europe. In the intervening decades, Britain and Germany have achieved so much by working together. I have every confidence that we will continue to do so in the years ahead.

“Our work together includes every part of life, from politics to commerce, from industry to every aspect of the arts, in particular, music, museums and education.

“In our lives we have seen the worst but also the best of our continent. We have witnessed how quickly things can change for the better. But we know that we must work hard to maintain the benefits of the post-war world. We know that division in Europe is dangerous and that we must guard against it in the West as well as in the East of our continent. That remains a common endeavour.”

“Since 1945 the United Kingdom has determined to number among Germany’s very strongest friends in Europe. In the intervening decades, Britain and Germany have achieved so much by working together. I have every confidence that we will continue to do so in the years ahead.

“Our work together includes every part of life, from politics to commerce, from industry to every aspect of the arts, in particular, music, museums and education.

“In our lives we have seen the worst but also the best of our continent. We have witnessed how quickly things can change for the better. But we know that we must work hard to maintain the benefits of the post-war world. We know that division in Europe is dangerous and that we must guard against it in the West as well as in the East of our continent. That remains a common endeavour.”

Getting real in London

khanSometimes, even as an artist who admires Aubrey Beardsley and Erte, I have to bite the bullet and admit that substance is more important than appearance. The race for the London mayor is one of those times. It may seem like some sort of abstract Platonic argument- that we need to ignore the glitzy images and look at the reality behind the razamatazz, but that is how it is. The reality stinks and we have to identify it for what it really is: bad judgement, and demagogy.

Today, Sadiq Khan revealed who he really is and this is disappointing, even if I have been repeatedly warned. There has been alot of things said about a possible Khan win confirming the dreadful Corbyn in his place as leader of the opposition and that this win would confirm the position and the power of the man who presides over the destruction of the labour party- why would I care about that? I am a Tory! But I enjoy the challenge of a good debate and since Corbyn came to office, that has been missing in the House of commons. Instead, we are treated to a self-satisfied litany of what Betty said to Sally and what Bert thinks of Dave. What we want are some facts rather than a series of quasi-religious quotations. The commons, anyway, is not the time for semi-anonymous or barely-invented hearsay.

But it is the self-righteousness of Corbyn that dominates.

corbyn-tim

Rhetoric:

What I loved about Tony Benn and particularly about Michael Foot as orators was the element of conviction which was matched by the possibility of doubt in what they said. Another way to put that is to use the word “humility”. I am sure no one has ever accused Tony Benn of humility before, but he was a man who knew his place as did Foot. Yet I admired their skills in speaking even if I rejected what they said. There is nothing I can admire in Corbyn. I think Corbyn has yet to learn what his place should be. He has been thrust into the political spotlight too fast, and while on the Breakfast-time sofa on TV, he sounds reasonable, he has not yet found his place as a national orator or leader in the Commons. He might well be a nice man- who knows? That is not important- Corbyn’s job is not simply to represent his party -he does not incidentally- but he is also the voice of Her Majesty’s loyal opposition. He represents a challenge across the political parties to the sitting Prime Minister- he demonstrably does not do that either. Instead, he represents  a small vocal faction of the Labour party. So, Mr Corbyn fails absolutely to serve his country. He serves himself and his clamouring supporters.

But should Khan win in the Mayoral race, just like a second Oldham by-election, Corbyn’s position will be even more protected and we shall have to suffer even more litanies from his makeshift lectern of what John and Jenny, Mary and Jo have to say when all we really want to hear is the authentic voice of the Leader of the opposition. Any opposition! Without that voice, Mr Cameron must look to his own party to find a challenge: we have not elected a dictatorship.

If Mr Corbyn continues to demonstrate that he cannot do or does not want to do this job, then in the interests of Parliamentary democracy, someone else must surely do it for him. I do not want to hear any more about John and Jenny, Mary and Luke or whatever improbable names are chanted in the prayers Corbyn leads weekly (or weakly?) at the dispatch box. This is not the Bidding prayers in a local church. So, now might be the time for the SNP to step up, maybe and assume the office so abandoned or mutilated by Corbyn?

Lame Duck quacking in Commons

Let me be clear, as a Tory supporter, I do not see any advantage in having a lame duck Leader of the Opposition. Let the lame duck lay eggs on the backbench with the other quacks. If he wants to do TV shows with Michael Portillo, that too would be great news- anything indeed, save this travesty at the dispatch box week after wretched week.

And so to Khan himself. Whatever rosette is worn by any candidate for Mayor, we ought to presume competence, but today Khan demonstrates his utter INcompetence by trusting a man who has apparently a homophobic record and then sacking him. I am not sure which is the worst offence. If the homophobia was so much a thing of the past (some reports say this was recently on twitter, but some say this was stuff from 2012) then it no longer matters and the man should have kept his job, but if it demonstrates a continued prejudice, then clearly he should go and the question lingers about Khan’s own judgement- Khan sacked Shueb Salar after a letter from our own Priti Patel. He was badgered into action because he failed to act decisively in the first place, or he failed to check or worse still, he faild to notice or to care. And however it is spun, the fact remains, why could Khan not see that such prejudice undermines not only his campaign, and his credibility but the claims that Labour repeatedly make for the moral highground. This is what Ms Patel wrote,

“This man has a Parliamentary pass and thus privileged access. Do you not think it is incumbent upon you to check the background of those who are given such access in your name?

“Is Mr Salar therefore still on your payroll and is he still receiving taxpayers’ money while the investigation takes place?”

“Even if you didn’t run checks on him before appointing him, his comments could easily be viewed on Twitter as recently as a week ago, particularly as your account follows his. … You appear to hesitate and/or turn a blind eye when you come into contact with those whose views are deplorable. And you appear to regularly come into contact with such people.”

I think this event shows one of the biggest of Khan’s failings and it is a failing shared by Corbyn. Indeed, it sums them both up because they both want to say what they feel their own particular cronies, or their own particular audience want to hear from them. Khan says whatever will win him votes (he has no shame)- and Corbyn says what he thinks will please the people who voted him into power- John, Jane and Jenny who he talks about so often in the Commons and who clearly pull his strings. But in both cases, their intended job is bigger than this miniscule audience of alleged admirers. That is their common failing!

the modest bow

And that is why Boris was so much better. Because Boris managed to appeal beyond his core voters and across party lines.

While Corbyn has developed a joy in displeasing those MPs among whom he stands, in an effort to please his latent supporters penning letters in the labour heartlands, Khan has developed a slippery fish-like quality of pleasing whomsoever he happens to be talking to. But while Corbyn looks limp and lame,  Khan looks false. How is this possible when essentially they are following the same brief? However, Khan, Like Blair, when he is caught in a fix, thinks a quick attack on an old trusted friend will do the job, but it simply exposes the lie- Mr Khan either knew his friend was a homophobe and did not care, or he sacrificed his friend because a Conservative minister inconveniently dug up dirt from the past.  Mr Khan fails the loyalty test or he fails the far more important test of trusting the wrong people in the first place.

We need to believe that the future Mayor of London will have the right friends, will command loyalty and will make the right decisions for the right reason. we have to trust he will not be badgered into action by the media, or say something just because he is caught in the headlights of public attention.

For what it is worth, I would like to see London led by a Muslim Mayor. But not this one.

 

PS: This is what Boris said today (a few days after I posted the text above, sorry:)

boris speaking

Boris Johnson

The murder of Lee Rigby was an event that outraged and sickened Londoners, and the memories of that tragedy are still raw. I find it absolutely incredible that Sadiq Khan, a candidate for the office of Mayor of London, could hire as his speechwriter someone who has suggested that event was in any way fabricated.

To my mind that shows an appalling lack of judgement, and I do not see how Mr Khan could command the confidence – or the support – of Londoners.

 

like a virgin

I am writing this on the way back from a month’s lecturing in Moscow. During this time, I relied on my Virgin phone to keep me in contact with things in the UK. I had a russian phone too, so, managing the two handsets, I felt a bit like a rather dodgy trader. But needs must.

tom mockridge

Just before I returned, I got a message from Virgin mobile to say that I had exceeded my credit limit. Strange, as I had renegotiated this just before I left the UK when access to my online account had failed for the umpteenth time. I was told then, in October, that I had fallen foul of some sort of systems’ overhaul that routinely upgraded the credit limits of more recent customers but, as a long-standing and loyal Virgin devotee, I had been overlooked, as had many of my vintage. A temporary correction was applied to my account. That appears to have failed in practice.

I rang up the international number on the text they sent and tried to pay off the outstanding debt. My phone, it seems, had been suspended for the last three days. Worrying. And then the real drama began.

I was speaking to a lad called Jack who was based in Manila. He was quite affable though he spent slightly too much time telling me how honest he was – when someone tells me he is honest, I generally suspect something is amiss: “The lady doth protest too much”. Rather like starting a sentence “with respect” something that prefaces complete verbal abuse. Jack was unable to process my payment because my phone was apparently flagged as fraudulent and blacklisted. That was monday.

robert dunnNow once again, there is history, because this had happened before- no fault of mine, and I was told it had been corrected.  I assumed, therefore, that the so-called correction on 13th October had not, in fact, been effective and I had been living in a fool’s paradise for 5 weeks. But that turned out to be untrue. Instead, an entirely new fraud error had been generated by Virgin. It was explained to me later by a man called “Much” who inhabits what is called the CEO office for escalated complaints, but no doubt it is just another call-centre. “Much” was very reluctant to give his real name so I am respecting his wishes in this account.

I cautioned Jack on Monday that I worried our call might be expensive. He insisted that, despite the fact that I was calling from Moscow, the call was free. He had me on hold at various times and the call went on in fact for an hour. There was a second and third attempt to resolve the problem: another two hours or so.

tony hanway

On Wednesday, I spoke to the CEO office who had finally lifted the bar on my phone and offered to pay the £250 there and then to gain access to my phone, but instead, they said the sum had increased to about £400. We may well ask how that happened, because, other than calling Virgin on a free line, I had not used the phone at all. And therein lies the rub: the line to Jack was not free after all. (the number, if you are interested is +447953967967)

PeterKelly

When my case-handler finally got round to talking to me on Wednesday evening, he explained that the call to “Jack” in Manila was no longer accessible as a recording and so he was unable to verify whether Jack had, indeed, assured me that calls to that number were free. (In any case, “Much” could provide documents to explain that such calls are not free but charged on a standard overseas tarrif). “Much” told me that he was “only being honest”, like Jack before him. Somehow, Jack seemed more credible. As a “goodwill gesture”, and because “he did not dispute my story of what Jack was alleged to have said,” “Much” was, however, prepared to offer me £70. He also assured me, note, that he believed my story about Jack’s claim – so the offer seems a bit odd, and I feel a bit short-changed. No apology, incidentally, also for the fraud error, which he admitted was Virgin’s- an error produced he explained because of the considerable advances being made by the implementation of new software, but the second such erroneous fraud flag on my account this year! And no offer of compensation. It is a case of “Much” wants more!

maurice daw

I asked for a PUK code so that I could leave Virgin and take my phone number with me, but should I do this – Mr “Much” was very clear- then I would no longer receive the “goodwill gesture” he had been offering me. Astonishing and slightly threatening.

This £70 is not compensation, it is not a refund. It is, in short, a bribe by a company that is quite happy to lie through its teeth to extract as much as they can for a service that falls far short even of the term”shoddy”. I wonder if, indeed, what I have experienced is a form of “misrepresentation”? It comes fairly close to what American gangsters in Chicago would have called “protection”. I am paying for services they themselves have forced me to accept!

brigitte trafford

In the social media age, customer service should be efficient and effective. A quick survey of the internet shows very clearly that I am not alone in being frustrated by Virgin’s duplicity and aggression. One of the problems that I would identify here is that customer care and marketing or sales are divided into two completely different (and arguably conflicting) offices and neither has much care about its effect on the other. Beyond that is the infuriating habit of agents refusing to provide surnames and assuming they can use my first name too. This is not just an Oldie whinge about due respect- it is about basic honesty because, when pressed to identify the various people called Val, or Cherie or Jack, the evidence of their existence seems to flush away as quickly as the recordings that betray whatever errors they have inadvertently or deliberately made. Virgin is the harpic of mobile communication. I should add that I also spoke to a lovely switchboard person called Chantelle who was charming enough on 3 occasions to remember who I was and what the issue was. But, as a rule, what is agreed with one person is then denied by another and an appeal to the evidence of the “recording” meets with the response that it never took place or is lost. The fact, therefore, remains- shoddy customer care will eventually have an impact on sales. It is just a matter of waiting for the whole house of cards to collapse.

mine hifzi

And who has a Virgin phone after all, these days? Come on! Virgin is simply a larger scale version of Easy Jet- it’s mobile phone service is an offshoot. The Virgin company began in the Late 70s and was properly registered in the late 80s: a 40-something year history, and it is time for some pruning.

Because I look after a number of students in the UK , and have phones on account for them to use, I have oddly now used almost every phone company in the UK. None are really honest or a pleasure to deal with, but Virgin’s deceit in this instance really takes the biscuit.

branson

I will certainly make an effort to produce some cartoons about this at a later stage. (**22.11.15: now completed, see above for images of current board of directors) But now, I must board my flight! (I am NOT booked on a Virgin flight)

 

 

 

 

 

 

Refugee crisis – save the children

My attention was drawn today to a Japanese manga image which had been described as “Racist”. I thought initially it was no more racist than something by the brilliant artist Joe Sacco, though the manga picture is based on a young girl who is clearly not smiling in the original photo. There is, though, a hint of a smirk in the manga. I assumed this was style or something.

The original image is at the bottom of this blog

Later, I saw an article about this which translated the Japanese text and I was appalled. So much so that I have re-drawn the image and added my own text here:

refugee

The image is based on a photograph of a girl called Judi, aged 6. I have tried to preserve some of the manga style. I hope what I have drawn is sympathetic to the original. This is a very young girl in a tent city. She is there because her family wanted to get her out of the war-zone. This is not her choice. She should command our sympathy, pity, and respect. She does not deserve the ridicule dished out by Ms Hasumi.

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In Glasgow, the Scottish MP Humza Yousaf regularly talks about welcoming Refugees.

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humza

It seems to me that this is our moral duty and our responsibility as a civilized country. More than that, we must ensure that the Referendum on the EU does not get bogged down, as was the last election, by a debate on immigration. The refugee crisis is set to continue for many years whether we are in or out of Europe and we will miss the opportunity to effect major change and reform in Brussels, or indeed to quit the EU project and forge alliances across Europe independently. 1) We cannot allow racists and bigots to hijack the debate. 2) we need to lead the way in promoting a proper response to the victims of war. 3) our doors must always be open to people in need.

Cartoon

This is what the original advert said in Japanese apparently:

“I want to live a safe and clean life, eat gourmet food, go out, wear pretty things, and live a luxurious life… all at the expense of someone else,” reads the text on the illustration above. “I have an idea. I’ll become a refugee.”

photo

The artist, Toshiko Hasumi removed the picture after a campaign by a Change.org. It is the text that really causes offence here, rather than the image. But once the text is clear, the image itself takes on a new identity- the girl is too aware, she smirks too much. It is deeply disrespectful.

“But I will not apologize no matter what,” she said. “Because unlike in Japan, you’re destined to lose in a court battle overseas once you’ve admitted to your fault.” She went on to say that the image was an attack on economic migrants who are “pursing a safer, more comfortable life in a foreign land under the guise of pitiable asylum seekers.”

The photographer said it was a “shameful misrepresentation of the plight of the Syrian people” and that he was “Shocked + deeply saddened anyone would choose to use an image of an innocent child to express such perverse prejudice,”

Japan will not accept Syrian refugees but has pledged $810 million to aid refugees from Syria and Iraq. Of 5000 asylum seekers who applied last year, Japan accepted 11. This is a start and I know many of my Japanese friends are keen to see more done to help in the crisis. Also, of course, Japan is right to support the countries most affected.

Toshiko Hasumi, however, has a record of questionable behaviour and has apparently written fairly negatively about Korean women who came to Japan especially during the 2nd World war.

Thank God there has been outrage about this in Japan!

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I have been speaking to other people who have, like me, been inspired to draw their own tribute to the Syrian girl featured in the original photograph and to post a more uplifting message. Here is a drawing by Kumiko Higashi courtyesy of Takahiro Katsumi:

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Here is the english translation:

Wanna let them live safely?
Wanna let them live clean?
Wanna let them dine with their family?
Wanna let them play in schools?
Wanna let them play with their friends?
Wanna let them sleep in places without gunfires?
Wanna let them live in peace without fear of death?

… ALL BY YOUR CONSCIENTIOUS CHOICE?

I GOT IT, HELP A REFUGEE!

Should anyone BE a refugee? No. Should anyone HELP a refugee? Yes! Why not? There are many ways to help. ‪#‎YesWhyNot‬ http://t.co/Cy7JIy3szY Illustration by 東 久美子

This is a POSITIVE COUNTERACTION against the hateful campaign launched by the right-wing manga artist Hasumi Toshiko supporting the Abe Administratin that allow hateful expression go unbound. Why not spread good will instead of hate or animosity? Yes, why not?

Also, here is a version of my picture translated into Japanese:

Refugee girl_jpn translated

Richard Williams: the Prologue

I was about to post something on my own animation and noticed that Richard Williams is promoting the beginning of his private animated epic that I assume remains inspired by the story of Lysistrata. The Premiere was a few days’ ago in the US at the Telluride festival and is due soon at a cinema in LA to qualify for Oscar nomination.

Here is the link:

and a copy of the Poster:

Screen shot 2015-09-20 at 17.45.31

I understand that the Prologue shows an encounter between a Spartan and an Athenian and is seen through the eyes of a small girl. More than that, I do not know, but it is exciting. The publicity arouses discussion about the THIEF and inevitably there are comments, much overplayed in PERSISTENCE OF VISION about it never being finished, which is unfair. The reason it was never finished is that Warners lost confidence. Williams believes this is because they were screened a version of the film with one vital reel missing, so the story made little sense to them and after that, it only took a bit of nudging. Equally, we know that there were many hangers-on who wanted to take the film in different directions, and wanted a more conventional Disney-approach with songs (which of course they got when the film was recut as “Arabian Knight”.) Also, it is true that Williams was involved in a couple of projects (like RAGGEDY ANN) that ran into trouble, but my view is that he clung on while others would have abandoned ship long before. I think Williams has tenacity and he certainly has talent and technique.

Meanwhile, here are links to previous posts on Richard Williams from animate-tim:

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Richard Williams rightly deserves all the adulation he gets from animators. Sadly, the general public is less aware of his significance, though most have seen and admired his work in “Roger Rabbit” and all of us have seen the effect he had on the industry. Anyway, I am always amazed by Williams’ generosity. It was clear when he was presenting his cut of “the Thief” a few months’ back.

When I was a schoolboy, and later when I was at university, he gave up his time, had me visit the studio and talked for hours to me about the process of animation. On that second visit, he took me to a restaurant where I remember eating a plate of smoked salmon and otherwise hanging on his every word, none of which I have forgotten. “I think in colour” was the most amazing statement. I envy that. I think in lines, not colour at all, and I think I struggle with colour. I wrote an article based on what he said which was printed in an oxford magazine.

wilson article 1 wilson article 2

Afterwards, I had time to kill before getting a bus back to Oxford and I went to see a show called “Another Country”. Within a year, I was doing front covers for Amber Lane Press which printed the text of the play. (Here are some of them together with the programmes for Another Country)

jj farr when she danced

colin firth 2 Daniel_Day_Lewis 2 rupert 2

I vividly remember Rupert Everett and Kenneth Branagh, and later went back to see their understudies, Daniel Day Lewis and Colin Firth. Day Lewis was the godson of a lady who lived in my house and sat in my room with the poodle chatting about the past. I lived in a converted conservatory: there was a swimming pool at the bottom of the garden.

It had only been a year or so since Mrs Thatcher had announced the identity of Anthony Blunt in the Commons as one of the Cambridge Spy ring. What had not been emphasised I suppose was the fact that most of the spys were gay and had been to the better Public schools. “Another Country” picked up these themes, of treason, homosexuality and espionage in the mid 1930s. The play began in Greenwich and transferred after stunning reviews there to a 19-month run at the Queens in the West End, almost unheard of for a straight play both then and now. Years later, I directed my own production of “Another Country” and Sam Buntrock, now an established theatre director in his own right, played Judd.

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All the screams on the page above are copies of Richard Williams’ sensational “Christmas Carol” which I was watching while I was without a computer for the last few days: I have to draw a screaming face for a new student film, “Wasteword” directed by Andrea Niada. As ever, Williams has already done it, and done it better than I could ever imagine doing. I have been sent lots of Roger Bacon paintings as reference.

Ah, here is a link to a youtube upload of Errol le Cain’s film “the sailor and the devil” Simply tremendous to see it after all these years. I was amazed to find Errol le Cain was working for Williams: two of my heroes in the same place. More on Errol le Cain later I think….

Nasruddin was the figure in the Richard Williams film  that I discovered in the early 70s. The film changed completely when it became the “Thief and the Cobbler” and the Nasruddin character disappeared. There are various stories about why this happened. Last Sunday Williams simply said that the original story and the original character did not work. Nasruddin, however, is still visible in a crowd scene riding on his donkey (which he ridesbackwards)… here are some drawings of statues in Turkey- one faintly comic and the other more respectful. He was a real character but he used humour and his stories are laced with unexpected incident and comment. however, Nasruddin turns up in Turkish legend as Nasreddin Hoja and then again in Albanian as Nastrudin Hoxha. I don’t know whether it is more appropriate to see Nasrudin as Turkish or Iranian: the oldest manuscript from 1571 suggests he was Turkish or active in Turkey. When we made the first version of “A torture Cartoon”, it made sense to add a version of Nasruddin because Necati is Turkish

and then later when we did “how to be Boss” we did a new design and told one of the many Nasruddin stories. You can find the sequence at about 2.39: “Have you told your wife who is boss in your own house? Don’t worry. She knows!”

There is a Pappas illustrated edition of stories which I would love to see. Otherwise, the best editions are those illustrated by Williams himself and the spectacular Errol le Cain

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  • The Subtleties of the Inimitable Mulla Nasreddin, by Idries Shah, illustrated by Richard Williams.

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  • The Pleasantries of the Incredible Mulla Nasreddin, by Idries Shah, illustrated by Richard Williams and Errol Le Cain

Here is a link to the “what is bread?” section in what is left of the Williams film with Kenneth Williams’ voice:

It is simply delightful to listen to Kenneth Williams, and Richard Williams version of Nasruddin is so elegant. The Williams character should be spelt “Nasrudin” of course. Apologies.

Richard Williams

brigand poses

I had seen Williams on a childrens’ tv programme called “Clapperboard” and he was shown drawing one of the brigands laughing. I loved the way that the character moved as he laughed. It was subtle and in close-up, but there was clear movement and character. The laugh was something he had recorded himself and I believe, now, that the animation was loosely based on one of the imps in Sleeping beauty. But there is no disguising the mastery. The hand movement on this sequence as the brigand laughs is exquisite and I have looked at it in some detail- Williams draws hands like no one else. This character is now one of many brigands in the second half of the “Thief”.

The sequence is marked by a change from pen and ink outlines to wax pencil outlines that were used also on “Christmas Carol”. At the studio, I was given one of these pencils and some cel and told to draw something which I did, but I was very nervous and I found it difficult. The waxy pencil is easily smudged and is only  truly bonded with the cel when it is exposed to hot light under the camera. I should imagine though that the cameraman was forever cleaning the glass panel that holds the animation in place. I think I may have tried using some paint. I am not sure, but I got to use paint later on working for “Wicked Witch” in the late 1980s as they wound up work on “Roger Rabbit” and took on project after project that aped the animation/live action combo style, or simply tried to look computer-generated ( some of the Waterboard adverts that accompanied one of the waves of Thatcher privatisation, for instance which were all actually drawn in coloured pencils on cels that had been sprayed with a formula that made them sufficiently textured to accept the crayons. The same method was used in the Snowman, Father Christmas and the Beatrix Potter films at TVC)

charles II in Soho square

My trip to 13 Soho Square was a day that must have changed my life or at least given it proper direction: in the evening, so excited was I that I vomited with gusto on the train and over my mother’s handbag. I knew then, maybe from some kind of Rorschach test, that I had a vocation to draw animated films. I remember meeting the great man on the stairway in front of what must have been one of his own oil paintings. I draw no parallel at all between my vomit and his painting though I have no real memory of the visual content of either. His picture all looked very dark and grand to me. Animators upstairs flipped scenes that I think I knew even then were from the projected film of “Nasruddin”- I am pretty sure that I saw the thief bouncing from one canopy to another. that was also in the finished print we saw on Sunday. I had seen pirate versions of this on youtube and the australian DVD where it seemed a bit repetitive. In the NFI theatre, with a crowded audience, it looked wonderful. This is broad slapstick and it always needs an audience to get the most out of it!

Later, I went back to the studio a few times and had a delightful dinner with Richard Williams in which he compared computer people to madmen trying to sell crutches to people who have no difficulty walking. “But my crutch is gold plated” he said they would say. “Why walk when you can hobble with a crutch?” This was the infancy of Computer animation and within less than 10 years I myself would be involved for a brief period in the production of computer games animation. But he is right: there can be no short-cuts and nothing replaces the raw knowledge of being able to draw exactly what you can imagine in your head.

I was particularly keen for Necati to see “the Thief” in the best possible way. I have some publicity material the studio gave me by which time the name had changed from “The thief who never gave up” to “Once”.

During the talk after the screening, when a few odd people, one of whom I am afraid I have drawn above, hogged the microphone and went on and on (and on!) about pirate versions of the thief that they had seen on the internet (no one mentioned Gilchrist by name- why not? though Dick Williams urged him to get on with his own work instead of obsessing about “the thief”), Williams talked a bit about his current project,apparently based on “Lysistrata” and called “If I live”. When we met for Dinner in ’82 or ’83, he had been talking about an adaptation of the Epic of “Gilgamesh”- a story about  a babylonian Noah figure, and there is a creation account in “Gilgamesh” which lies behind the first creation story in the bible. It is more vivid and much more fun, certainly worthy of animation as indeed is Aristophanes’ “Lysistrata”. I will dig out my own animated versions of Aubrey Beardsley and maybe the (unpublished and scurrilous) comics based on Greek texts and post them on this new blog in time but I suspect Williams is doing his own thing with the Greek comedy and has moved some distance away from Beardsley. I moved from Beardsley too: it simply took up so much time! I would love to know what happened to Gilgamesh and what Williams’ “Gilgamesh” would have looked like and also I would like to know what role the laughing camel must have had in “Nasruddin”. There was alot of publicity about the camel but he makes a very brief appearance in “The thief”. Had the hogs stopped talking evasively about Gilchrist, then maybe I could have asked about Gilgamesh or the Camel. Now, we may never know!! I will write more on this subject another time. In the meantime, here are some sketches made on Sunday afternoon during and after the screening.

Digital Orchestration The use of Sample Libraries / Virtual Orchestration in Music Production

Turn on the television anytime and the chances are you are going hear music that is produced using digital orchestration and sample libraries. So, the orchestra you are hearing is not, in the conventional sense, an orchestra at all – it just sounds like one. If the music production is done well, it should be almost impossible to distinguish between what you are hearing and what a “real” orchestra would sound like. That is the art / science of digital orchestration. The music for CSI, The Mentalist, Dexter and many more, is all produced “inside the box”. It is now almost impossible to find an advert where the music is not produced in this way. Tight production schedules and limited budgets usually don’t allow for recordings of real orchestras, so the sample based recording isn’t just a demo or a mock-up, it is the final cue.

Click on the link below. Here, there are two examples of an orchestral piece by Vaughan Williams and two examples of a Beethoven string quartet. One of each piece is produced using digital orchestration – which is which?

http://www.kanon.co.uk/XY.htm

More and more, and for the same reasons, this also applies to films. Low and mid-range budget films will never be able to finance studio recording sessions with a large orchestra, music director, producer, recording and mixing engineers etc. Even in some blockbuster films where large Hollywood style orchestras are used, the soundtrack will often be enhanced with extra sampled percussion and brass etc.

What is sampling and how does it work?

Not Robots and Nothing to do with Synthesizers!

When you hear sampled music, you are hearing real musicians playing real instruments, – a solo violinist may well be playing a Stradivarius! – but, every single note and articulation has been sampled – recorded – separately and often many times over. Every note an instrument can play and in every way – ppp, pp, p, mp, mf, f, ff, fff, sfz, staccato, detache, legato, flautando, harmonic, con sordini, pizz, and so on, is sampled in meticulous detail. Often, but not always, these samples will be recorded “dry”. That is, with absolutely no ambient sound, echo, reverb. If you listen to dry samples, they are very uninspiring – if you have ever been in an anechoic chamber you will get the idea. Reverb to taste is added later. More about reverb anon. The world leading Vienna Symphonic Library (VSL) have built their “Silent Stage” so that all their sampled recordings are completely dry.

A full orchestral sample library will go through this process for every instrument. In addition, where sections of players are required e.g. First Violins, Second Violins etc. there may well be 14 or more players playing together. Full professional sample libraries are massive containing millions of samples.

The Legato Revolution

An important milestone in orchestral sampling occurred in 2002 with the development by Vienna Symphonic Library of the “interval legato concept”. Anyone who has learned to play an instrument to a reasonable standard will be aware that it is not enough just to play the correct notes in the correct order in the correct time. Good phrasing, and especially legato phrasing, will utterly transform a piece. Hitherto all sample libraries faced the same problem – how to join notes together so the phrase or passage sounded completely authentic. In 2002 VSL developed complex algorithms which overcame this problem, the results were astounding and this process has been taken up by all sample developers ever since.

Click on the link below to listen to a 1st Violin section from VSL.

http://www.kanon.co.uk/XY.htm

No More Machine Guns!

Around the same time VSL also developed the method of using different samples for repeated notes. Most music contains many parts where the same note is repeated many times. If the same sample is repeated many times the result is not at all convincing and is known as the “machine gun effect”. The developers created a system where each repeated note triggered a different sample of the same note giving a much more realistic sound – this is now universally referred to as “round robins” and all serious sound libraries use this system.

Software

What do you do with 10 million samples?

Fortunately the companies producing such vast libraries also produce highly sophisticated software to control and manipulate the samples. The screenshots below show part of the user interfaces for VSL’s Vienna Instruments and East West Quantum Leap’s PLAY software. It is here that the user controls and manipulates the samples. There are many other companies with similar products but these are the two with which I am most familiar and use on a daily basis.

Usually there is a matrix where the user loads the samples required. In some pieces only a few articulations will be required e.g. sustain and legato, for other more complex pieces a wide range of individual articulations will be needed. This can be very demanding on computing power and often slave computers with powerful processors. a lot of RAM and several solid state hard drives, will be needed to take the strain.

Screenshot 3 Screenshot 4

A set-up like this can be used as stand-alone connected to a keyboard where the player can play, for example, an incredibly realistic string or brass section. This is commonly used in “live” situations. This of course has been and continues to be controversial as many musicians see it as a threat to their jobs and there is no doubt that this does and will continue to happen. On Broadway in 2003 there was a Musicians Strike which began as a strike over pit minimums and rapidly escalated. In London’s West End Cameron Mackintosh moved Les Miserables from the Palace Theatre to the Queen’s Theatre leading to a reduced orchestral size – a smaller pit – and increased use of samples triggered from keyboards. So, from the audience’s perspective there was no reduction in sound produced by the orchestra.

In music production for TV, Films and CD type work these interfaces will normally connect to a DAW (Digital Audio Workstation) such as Cubase, Protools, Studio One etc. Here the user controls the whole audio project with as many instrument tracks as required – it could be over a hundred.

Below are examples of editing widows from Cubase.

Screenshot 2 Screenshot 1

The coloured track lanes are individual instruments which are processed as required and eventually mixed down to stereo, or surround sound. It is in these widows that all the minutiae of editing takes place. The process here is similar to standard multi-track recording which of course is the staple of many recording studios. In some cases this is still done using multi-track tape recorders – analogue – but more and more, using computers – digital. Each method has its own champions and many a heated discussion takes place over their relative merits.

How Pleasant To Know Mr Lear

Screenshot 3 is from “Following Lear” Zontul Films Ltd currently in production. The music was composed and produced by David Watson (Kanon Digital Orchestration) using the digital orchestration techniques described above. A mixed stereo file was sent through the ether to Shonk Studios Oxford where soprano Thomasin Trezise recorded the vocals which were then sent back to Kanon for mixing and mastering. This track is not finalised but you can listen to the work-in-progress by clicking on the link below. You can also see Tim Wilson preparing some of the storyboards and animations for the piece.

A Note on Reverb

I mentioned above that many sample libraries are recorded completely dry i.e. with no ambient sound on the recording. This has the benefit of giving the producer much greater control of the final audio track. Reverb techniques have come on a long way since the days of the old “spring” reverb. This was literally a spring inside a plastic pipe which could be inserted into the audio path. It gave pretty impressive results for its time but if you want to see one now you will have to go to a museum!

There is a vast array of very high quality hardware and software reverb systems available. Where pure acoustic realism is sought, rather than a reverb or echo “effect”, the most commonly used system is that of Convolution Reverb or Impulse Response. Without going into the physics of the process, convolution reverb involves audio engineers going to a particular venue – a concert hall, scoring studio, a church or even a famous cathedral and actually recording the directional sound impulses of that space. Using these programs and impulses you can then place your “dry” instrumentalists or singers “virtually” in that space. The realism of the results can be quite amazing.

VSL’s Multi Impulse Response convolution (MIR)

VSL’s MIR, which I use a lot, goes even further taking up to 5000 impulse responses per room. They will also consider the placement of any instrument on a stage and the directional and sonic characteristics of the instrument. Microphone placement is very important and it is possible to listen as the conductor, someone sitting near the front of the auditorium or at the back or in the balcony and so on.

Mozart wet and dry.

Click on the link below to listen to excerpts from the Overture to The Marriage of Figaro.

http://www.kanon.co.uk/XY.htm

This first one I have kept mercifully short. It sounds raucous, out of balance and truly awful. Yet, apart from the addition of the MIR impulses and instrument placement, it is identical to the second example which I hope is more pleasing to the ear. This second example is placed in the Mozartsaal in Vienna.

Where to now?

The speed of technological advance is unlikely to slow down. Computers are getting more powerful, processors ever faster, solid state hard drives will become the norm – this can reduce the need for huge amounts of RAM. The professional sample library market is very competitive with new top-end products advertised in specialist magazines every month. The digital / virtual orchestration area of the music business is almost unrecognisable from that of just a decade ago.

Where does that leave our living breathing musicians? The business will continue to change and musicians will have to adapt, there is no doubt about that. However, music conservatories across the world continue to produce incredibly talented musicians. Perhaps the British – but not the Scottish – Government has come up with a solution – stop producing musicians! The introduction of the Ebac. The Ebac will essentially be compulsory for all maintained schools. The Ebac does not include music and the arts! Any school which does not conform cannot be graded as outstanding. I feel sorry for the head teachers – especially those with a creative arts background – who will have to make very difficult decisions. I suppose we get the governments we deserve. After all we elect them. Or at least at the last election the 66% of us who voted did.

Perhaps there is something to be said for a benign dictatorship – especially if musicians are in charge!

David Watson

August 2015

Kanon Digital Orchestration

Auchermuchty Scotland

www.kanon.co.uk

Poppies- the Turkish charity: “Red is the colour of life”

Here is the finished version of the title sequence:

early poppy sequences:

music by David Watson, used with kind permission

©David Watson, Kanon editions 2015

©Tim Wilson, Zontul Films 2015