#ThinkB4UPost

A new campaign has begun – #ThinkB4UPost

It is a thoughtful idea put forward by Shabaz and some of the cast members of Circle 3. I am very happy to endorse, participate in and champion the positive and valuable message it sends- specifically, that anonymous nastiness on the internet is shameful and worrying and needs to end. We all have a role to play in calling for better behaviour.

I think, incidentally, that this campaign, and others like it, needs to be buttressed by legislation that ensures the culture of internet anonymity, which permits both trolling and cloning, becomes unacceptable. This, I am afraid is a much bigger job, and needs to be addressed globally. But #ThinkB4UPost is a very valued step in the right direction and ideas like this need to be encouraged and promoted with enthusiasm.

I was therefore pleased to see the BBC taking up the story.

The BBC posted a piece about the Campaign and particularly focused on hate-mail that Manrika received during the show. The article, however, proves to be a curious piece that mixes what is a very reasonable campaign with some disturbing hints and I thought it might be worth pointing these out.

The two issues that worry me are, firstly, the idea that this campaign alone will be sufficient to turn round the problem at the heart of Reality TV and secondly, that Manrika, like some other past cast members (who must have participated in a quite different production to the one I knew), talks about the 24 hour access that has been given to psychiatric care.

I am afraid this level of care was certainly not the experience I had and was not an experience I know many others from both my series (2) and the earlier series 1 had received, even if this might have been what was intended. Indeed, I can cite 2 people who attempted to access care, and they were kept waiting for up to 10 days without a response because the care team that we had been assigned to did not recognise that we were part of their remit, so I am frankly flabberghasted by some of these over optimistic statements.

There is a big difference between what is intended and what was delivered.

When I brought this issue about a serious failure in the duty of care to the attention of production a year ago, I was assured that the question of aftercare would be addressed and would be put in place. My concerns, and the specific cases I cited, were acknowledged and accepted by senior execs in production. I am, therefore, hopeful and I assume that better care is now available. However, the article that has been printed by the BBC gives a very strange impression when it juxtaposes Manrika’s positive comments about aftercare with mine, and provides no explanation. That may be the result of over-hasty editing, but it suggests that Manrika and I refer to the same experience- we do not.

The passage of time can make things better and companies can learn from their failings. I note, for example, that the production company is today no longer relying on the company they used last year to provide psychological support. That is some progress!

I am, therefore, delighted that Manrika’s experience is more positive than the one I witnessed and experienced, and, equally, I salute the efforts of the current cast to call for a kinder internet, but that is not enough in itself. We need to ensure that those who participate in these shows can leave them having had a fully positive experience, that they receive independent professional and responsible support that assists production and enables production to get on with the job it does best. The people who participate in these shows should have such a positive experience that they act as ambassadors for the show- instead, there is a host of people carefully measuring their language against their contractual obligations.

I would hate to think the #ThinkB4Upost campaign ends up in the same bag as the Caroline Flack #BeKind campaign, both well-meaning and positive messages but open to being appropriated by TV Companies that might be seen as complicit in nastiness. These campaigns should not become the sticking plaster for the industry. they should not become another version of the OFCOM “rules”. These campaigns are thoroughly worthy and they help us to remember basic good nature but they cannot eclipse the need for wholesale change.

And also, when I look at what reality TV has become, I would not like people to think that the real problem is the audience!

It is barely a week since the death of Nikki Grahame: she was just one in a long list of casualties that have grown from the Reality TV phenomenon. It is perhaps glib to say, as journalists have done, that she could not deal with fame- she was vulnerable from the day she was cast and I think the show and the industry should take greater responsibility for the continued health and wellbeing of those they use. I can think of no other form of entertainment that is so measured in death.

The Secretary of state needs to reconvene the committee that began taking evidence after the Jeremy Kyle show, it needs to recognise that the current OFCOM “regulations” are neither new nor efficacious and at the same time, it needs to encourage organisations like EQUITY and established theatrical agencies to provide the independent support that is so evidently lacking.

https://www.bbc.co.uk/news/newsbeat-56747017

Inadequate OFCOM

I am astonished that for the third time, I think, OFCOM are peddling a completely vacuous document as something significant and indeed once again claiming it is a new “publication”.

Very little has been added since it first appeared as a draft document in 2019, and even then, it simply puts into writing current practice alreday used on reality TV shows. It was the result of a hastily convened and then equally hastily disbanded committee meeting of the Digital, Culture, media and sports committee- this is hardly the “wide-ranging” investigation that Adam Baxter claims. To be more precise, the committee heard testimony from 4 “contestants” or participants who came from 2 reality tv shows. That is hardly what I would term “wide-ranging”.

It fails absolutely to define what Reality TV might be and indeed also what might constitute “vulnerable”, the two major planks of the text and of the recent publicity. I will add more details tomorrow.

Meanwhile, here is the text of an interview I did for “the Independent” today which will be printed in tomorrow’s edition (6th April):

https://inews.co.uk/news/media/ofcom-rules-broadcasters-due-care-mental-health-insufficient-former-contestants-943036

Ofcom rules for broadcasters to take ‘due care’ over mental health are insufficient, say contestants

Exclusive

There is a lot of concern after the deaths of Love Island stars Mike Thalassitis, Sophie Gradon and Caroline Flack

EMBARGOED TO 0001 FRIDAY MARCH 12 File photo dated 22/1/2019 of Caroline Flack whose mother has said social media companies "fail to protect" people from abuse and comments on the platforms had a big impact on her daughter. Issue date: Friday March 12, 2021. PA Photo. The Love Island presenter took her own life at the age of 40, on February 15 2020. A new Channel 4 documentary is to tell the story of her life and death, as well as her experience of having issues with her mental health. See PA story SHOWBIZ Flack. Photo credit should read: Matt Crossick/PA Wire
Caroline Flack, whose mother has said social media companies ‘fail to protect’ people from abuse (Photo: PA)
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By Benjamin ButterworthLate Editor and Senior ReporterApril 5, 2021 9:17 pm(Updated 9:18 pm)

Former reality TV contestants have warned Ofcom that new rules designed to protect their wellbeing do not go far enough.

The guidance introduced on Monday requires the makers of some of TV’s biggest show to take “due care” over the welfare of people who “might be at risk of significant harm as a result of taking part in a programme”.

The change comes amid heightened concern after the deaths of Love Island stars Mike Thalassitis and Sophie Gradon, and the show’s presenter Caroline Flack.

But contestants of some of TV’s most successful reality shows say the change in rules will do little to help.

Tim Wilson, who appeared on Channel 4’s The Circle in 2019, told i: “Production has got used to controlling its participants and continued to do so long after the show is over.

Tim on The Circle
Tim Wilson was voted the People’s Champion (Photo: Channel 4)

“Indeed, the Ofcom legislation gives them further licence to do this. It is absurd to think that the same team of psychologists who are used in casting should be offering support afterwards.”

The Oxford-educated professor is now calling on Studio Lambert, the production company behind his series, to ask the Culture Secretary to “rethink of the Ofcom rules and recognise that what is now trumpeted is not fit for purpose”.

He added: “We have to buy into the illusion, which means we must rely on another body to protect us from genuine exploitation.”

Luke Marsden, who shot to fame on Big Brother, aged 20, now speaks regularly with reality TV stars who have struggled with their post-reality TV lives.

Davina McCall leads Big Brother evictee Luke Marsden from outside the house (Photo: Getty)

“I’ve spoken to ex housemates who signed on to the dole a few years after Big Brother because they didn’t know what to do. In their heads, they were thinking I can’t sit in an office, I was on a big show,” he said.

“Some of these contestants come out and they tell me they are very depressed a few months later, when nobody cares about them.”

He added: “They [Ofcom] need to set a very clear plan, where you talk to phycologists at key points, and they force you to have it, because some people don’t realise what they’re going through. It’s all very fluffy what Ofcom has released.”

Adam Baxter, Ofcom’s director of standards and audience protection, said the changes were made following a wide-ranging review with affected parties.

“People taking part in TV and radio programmes deserve to be properly looked after,” he said. “Our new protections set a clear standard of care for broadcasters to meet – striking a careful balance between broadcasters’ creative freedom and the welfare of the people they feature.”

A link to the OFCOM text:

Statement: Protecting participants in TV and radio programmes (ofcom.org.uk)

and a recent news story from SKY:

https://news.sky.com/story/new-ofcom-protections-for-tv-contestants-require-broadcasters-to-take-due-care-over-their-mental-health-12266294


Further clarification from me-

To be more precise, it seems wrong to throw psychiatry at a problem in the hope of fixing it. Psychiatry has a valable role to play but here it is compromised. For teh very same Psychiatrists who are used to cast the show are also used to provide counselling afterwards. Either that or we are fobbed off to organisations whose psychiatric support staff prove entirely inaccessible.

2)There is no effort in the OFCOM report to define reality tv. This was actually the first question my MP asked me- he is on the ball while others are not. Is it a game show, a constructed drama, unscripted entertainment, a variety show?

3) there is no definition of vulnerability and this, anyway, was already part of the OFCOM remit to protect both participants in tv production and to protect the audience, especially the vulnerable.

4) Much of the OFCOM document is simply well-meaning and vacuous words- verbiage to disguise a hastily published document. These words effectively try to demonstrate that any decision belongs, and any ills that happen as a consequence of participating in a show belong, entirely to the participant whether recruited or applying for the show. No amount of box-ticking psychology, however, can deal with the fallout when things go wrong, especially if the psychology team is run by the production company itself (as OFCOM seems to recommend). This is either onanistic or delusional. It also avoids responsibility. It is not about care- it is “careless” in every sense of the word.


-the only new content in the document is that shows are obliged to inform participants but that information in practice is likely to be misleading

– things change in production and it is perhaps as inappropriate as getting a magician to explain how a magic trick works before submitting it to a paying audience.

-we have to buy into the illusion which means we must rely on another body to protect us from genuine exploitation.

-That body exists! It is called Equity. Equity, therefore, needs to decide whether its role is primarily to validate a performer’s training or to protect all performers from the possibly irresponsible and unfair activity of management. The old Variety Artistes Federation understood this fully and accepted that many performers came into the business in different ways- and were, therefore, all open to exploitation by theatre bosses and, therefore, deserving of protection. The VAE merged with Equity in the early 1960s and accordingly lost its distinctive and very worthwhile remit.

-We have a situation now where upwards of 30% TV scheduling is filled with reality tv and therefore with performers often working for expenses or a derisory “displacement free”- less than minimal wage and, yet, at the same time, commanding prime time slots on TV channels for an extended period- they are utterly at the mercy of a production company that controls  the edit, the hours they work as well as their access to media and proper representation after the show has ended.


It is for this reason that I have now formally asked top executives of Studio Lambert to join me in approaching the secretary of state, the Rt Hon Oliver Dowden, to urge a rethink of the OFCOM “rules” and recognise that what is now trumpeted as new is not fit for purpose – it is the result of a half-completed job and the DCMS committee must, therefore, be reconvened and admit proper evidence that must be given by those who have experienced what it is truly like to take part in these shows.