Yesterday I was watching Mrs C on the Andrew Marr show. fascinating and brilliant performance.
Yesterday I was watching Mrs C on the Andrew Marr show. fascinating and brilliant performance.
Some pictures of Peggy Seeger whose book “First Time Ever” has just been published
Here are some more pictures
Brahms above – Here are a few more pictures
Here are some recent sketches
Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur. – Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
‘Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit’s cave, where by his fire
The Hermit sits alone.
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man’s eye:
But oft, in lonely rooms, and ‘mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration: – feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man’s life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened: – that serene and blessed mood,
In which the affections gently lead us on, –
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
Be but a vain belief, yet, oh! how oft –
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart –
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro’ the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o’er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days,
And their glad animal movements all gone by)
To me was all in all. – I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye. – That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing often-times
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear, – both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; ’tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e’er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance –
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence – wilt thou, then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love – oh! with far deeper zeal
Of holier love. Nor wilt thou then forget
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!
After writing about St Theodore, I was sent a copy of an icon of St Theodora, whose feast is on 11th September, a very different saint, though, to the Empress found in mosaics around the Church of Agia Sophia in Istanbul. There are very few images of this Theodora. This is my version here-
A few years ago I was in Northern Albania searching for the women who dressed as men in local villages. Maybe they no longer exist, but that tradition goes back some way and seems, from this story, to have Christian precedence. (in contradiction of Deut 22.5 and maybe of 1 Tim 2.9) I think St Theodora is a model for the Twenty-first Century!
St Theodora was an early ascetic from the Fifth Century, during the reign of the Emperor Zeno. She was among 10 women who lived and dressed as men in Oktodeka, one of the many monasteries surrounding Alexandria. The abbot simply assumed she was a eunuch.
At some point, she was accused and presented with a child that she was supposed to have fathered with some serving wench. Together they were expelled from the Monastery. Now, the hagiography makes a great point of telling us that the child was not hers and that the tales were fabricated; it is also not at all clear at thispoint that any of the other monks actually realised she was a woman. However, there is also a story of an adulterous affair that she had while she was still married to her god-fearing husband, Paphnutios. She seemed to have been told by a fortune-teller that if a sin was committed during the dark and that if no one else could see, then God would not see it either. She was distraught and sought the advice of an abbess who heard her confession, and reminded her that Mary had washed Christ’s feet with her tears. It was repentance for this affair that drove her into the monastery in the first place.
A period of repentence passed while she and the child wandered around the desert and they were then readmitted to the monastery. She had brought the child up as her own and while he seems unnamed, he is recorded to have been a godly and good boy in all respects. When she died, the abbot was astonished to find that Theodora was a woman and not a man after all.
What happened to Paphnutios? After his wife’s death, he seems to have been inspired to become a monk as well. Oh! And her “son” ultimately became abbot.
While the story is riddled with holes, it nevertheless makes very good reading and St Theodora emerges rather well as an early Christian version of Victor/Victoria or Mulan. Whether she had illicit sex once or twice does not seem to matter much- she took responsibility for the child who had been given to her (think of the teacher in “the Corn is Green” by Emlyn Williams- do you remember Toyah Wilcox as the naughty girl who leads Morgan Evans astray?) and seems to have kept herself to herself so much that even her supposed gender remained unknown.
It is tempting to see in St Theodora some sort Patron of the modern age, perhaps more clearly than the highly colourful and embellished story of the soldiers St Sergius and St Bacchus (or of Juventinus and Maximus martyred about 50 years’ later). Their story is improbable and the actual text (the passion) is full of anachronisms. Their humiliation when they refused to sacrifice to Jupiter was to be paraded in women’s clothing and beaten to death – that happened to others too. A “John Boswell” from Yale fairly recently suggested that Sergius and Bacchus were in fact lovers, described in a martyrology as erastai. He argues that before their execution, they were married in a rite called adelphopoieis and had received some form of Church blessing. All this is a bit spurious. John Boswell’s claims, nevertheless, make fantastic reading, but that, I am afraid is where it ends. He describes a civil ceremony for the emperor Basil I and a mass gay wedding taking place in the Lateran. Even if his claims were about a Wagnerian-style “Blut–Brüderschaft“, I find it odd that it should ever have taken place in the Lateran. But as the present incumbent of the Lateran might now say, “Who are we to judge?” Indeed!
Here are a few screenshots of a sketch of the Bridesmaids’ chorus from TRIAL BY JURY.
Here is a first colour version:
This is the preferred version:
While he is celebrated as one of the founders of Irish Catholicism, and while he was born in Ulster, St Finian actually owes more to Wales, where he was educated by St David. He does not seem to have been a very placid man, getting into a quarrel with St Columna over a copy of St Jerome’s Psalter which Columba eventually had to surrender.
The problem is that there are two St Finnians of which Cluain Erairdat /Clonard is the primary! The second one, whose feast is on 10th September and who comes from county Donegal, seems to have been educated partly in Rome and brought back a copy of the Vulgate with him to Ireland. He set up a school, Druim Fionn, on a sacred pagan site in Movilla at Maigh Bhile.
Where there two St Finnia? Really? Well, maybe not! There are simply many legends. Two many for one individual. Unless he be a shape-shifter and of great age, which was exactly the type of man St Finnian Two met on his travels around Ireland.
In nova fert animus mutatas dicere formas corpora
Ovid introduced the idea of metamorphosis and, of course, Disney does it best in the alcoholic dream of Dumbo, with all those pink elephants, but metamorphosis was also alive and well in Celtic Ireland! Túan Mac Cairill is one of the first men ever to come to Ireland. He is one of the early heroes ranking with Cu Chulainn and Fionn Mac Cumhaill.
Túan Mac Cairill’s family and tribe die from various plagues and yet he survives. At various times over the next two thousand years, consumed with loneliness, he changes into a deer called Nemed, a wild boar and later a hawk and a salmon until he is eventually caught and eaten by the wife of Cairell, the king of Ulster; over time, he sees new groups invade and settle in Ireland. Finally, he is reborn as a baby again, the son of Cairell (a result of her eating the fish!) as a human and meets Finnian to tell him his story from start to finish.
He says: “Then I was fleeing from refuge to refuge and from cliff to cliff, protecting myself from wolves. Ireland was empty for thirty-two years. Age came upon me at last, and I could no longer travel. I was in cliffs and in wildernesses, and I had caves of my own.
“The son of Agnoman landed, my father’s brother. I used to see them from the cliffs, and hid from them: I was shaggy, clawed, wrinkled, naked, wretched, sorrowful. I was asleep one night. I saw that I went into the shape of a wild stag. I was there thereafter: I was young, and in good spirits, and the lord of a herd, and I made a circuit of Ireland with a great herd of stags around me.”
In the end, he meets St Patrick and converts to Christianity. Arthur Rackham illustrated the moment below that Túan Mac Cairill turns into a hawk: Echoes of the great Ursula Le Guin!