Current Showreel

Here is a version of the current showreel:


with some additional imagery from “How pleasant to know Mr Lear”


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From BBC 4

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From A History of the Music Hall, Part 2. (Part 1 here:

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From Juststeve: Μία Ζωή Στα Χέρια Σου | Mia Zoi Sta Heria Soy

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From a film about the Odyssey (Zontul)

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From Wasteworld, dir Andrea Niada

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From A history of the Music Hall, Part 2

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Jumblies (Zontul)

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Captain Cod (Better off Out campaign)

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Aubade- titles for a film about a guitar: dir Henry Astor.

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Marie Lloyd from “A History of the Music Halls, part 2 by Tim Wilson” (Zontul)

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Introduction/ overture to “Trial by Jury” in development (Zontul. Music David Watson, Kanon editions) Gilbert and Sullivan

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Red is the colour of life: charity campaign and TV series in Turkey (Title sequence)

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Burlington Bertie (Animation & Voice Tim, music David Watson/ kanon editions)

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“Torture Cartoon” sponsored by Screen south, dir photography Richard Hering, animation by Tim. (Zontul)

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Bread father- Darende a personal history

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How to be Boss, What Plato says – Best animation 2012 (Reed) Animation by Tim, Music Juststeve.

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How to write a good essay – by Professor Tim Wilson (Zontul) animation and presentation


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Better off Out campaign 2016 – Betty Brexit


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From British History’s Biggest Fibs Episode 3 (17 animated sequences throughout the series and titles by Tim) Produicer: Nick Gillam Smith, presented by Lucy Worsley for BBC4

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From British History’s Biggest Fibs, part 1 (Richard III) 6 animated sequences by Tim

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Episode 2: British History’s biggest Fibs (5 sequences animated by Tim)

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Matilda sequence from “A history of the British Music Hall part 2” (animated by Tim, cel- painting by Necati Zontul), music by Kanon editions

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The Judge’s song from “Trial by Jury” (Zontul) by Gilbert and Sullivan (In development)

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Storyboard from Trial by Jury showing original blocking for the scene

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How Pleasant to Know Mr Lear (vocals: Thomasin Tresize, music David Watson, Kanon editions, other storyboards: the night I appeared as Macbeth, vocals Tim Wilson, arr David Watson.)











More on Fishing

Current UK Fishing Industry Issues

by Deborah Cowley (illustrations by TIM)

Richard Ede

After speaking with fishermen, skippers, officials and DEFRA it is clear that the industry is hanging by a thread. The ever changing ‘out of touch’ quotas that favour the highest bidder has led to a genuine apathy and depression among the fishermen. It used to be rage but many have now given up the will to fight a system where they are but small fishes in a big EU regulated pond. One of the industries highest officials told me he goes to Brussels regularly and feels so frustrated with the red tape he encounters each time. So far, he’s the only one I’ve found who still has any energy left for an industry he cares deeply about, being from a 5th generation fishing background. But yet the men are still out there, with their humiliating quotas, trying to keep tradition and their birth rights alive. As the younger generation are being urged by their parents to pursue other careers, eventually there won’t be any UK fishermen left with the knowledge past down from their ancestry. By leaving the EU and gaining back control of our land and our seas the fishermen stand a chance. But we need to begin supporting them now, before it is too late, and this wonderful tradition is lost forever.