Boris

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rehashing the old letterbox issue again, but rather well this time. The applause that greeted Tanmanjeet Singh Dhesi was deserved and his question impassioned, precise and elegant. Boris was fairly good in response too, to his credit, making reference to his own Muslim ancestors. He might also have added that his maternal grandmother was Jewish which I am pretty sure under the rules of the Beth Din makes him Jewish as well – though as I write this, I have someone calling me on the phone and he says that Boris’s grandmother, Frances Beatrice Loew, was only half Jewish- and her mother was actually Scottish. So his great grandfather, Elias, was Ashkenazi and a former Oxford academic, which puts pay to my theory there, but still- it gives a bit more weight to his comment about cleaning up anti-semitism in the Augean stables that is Labour.

An as for Tanmanjeet Singh Dhesi, he is a Cambridge Mathematician, so one expects something pretty impressive there! A meeting of giants across the floor of the House.

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More on RICHARD WILLIAMS

Here is a link to Prologue from Youtube

It makes harrowing watching but is simply remarkable in terms of anatomy and action as well as in the pre mastery of camera moves. The is exactly what Hitchcock’s “Rope” should have been like- a constantly wandering camera lens picking out detail and following the action. I love the way, though that Williams does two things- a) the final man standing is so absorbed in his victory that he and us do not see the last attack and b) I love the fact that all this is actually observed by a girl we never see until the end. She runs off to her grandmother-0 another figure we never see on what otherwise seems to be a flat open plain. It is entirely magical.

 

RIP Richard Williams

When I was 11, I wrote to Richard Williams who invited me up to 13 Soho square and I never looked back. We met a few more times after that and I know personally of his kindness, his drive and his immense talent. He is the author of the bible of animation, a signed copy of which is in my bathroom, and another two copies on my desk and in my briefcase. He is also the director of “A Christmas carol” (1972 oscar winner), “Who framed Roger Rabbit?” (another 2 oscars) and the unfinished film “the Thief and the Cobbler”

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and the magnificent prologue

Quite simply the best!

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and circus drawings:

Here are some earlier pictures from earlier posts about RICHARD WILLIAMS:

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Ding Dong- where has the Ding gone?

Here I am in Dilijan, looking out over the mountains of Armenia! It reminds me alot of Albania and, indeed, I came across a map today which seems to confuse the two places precisely: here it is-

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The Dong with the Luminous Nose

In Lear’s poem, “the Dong with the Luminous nose”, I realise there is an interesting omission. Lear must have intended, in some way, a play on the doorbell-sound “ding dong” so the natural consort of the Dong must then by rights be the “Ding”.

Sadly, the Dong has other interests and pursues a Jumbly girl.

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There is more to this though, because Kant would go on with expressions like “Ding an sich” the thing in itself, so Dong has a much deeper meaning in the Germanic/english world. Kant would talk about the thing in itself as opposed to its actual appearance, “Erscheinungen,” what we see with our senses, something Plato would no doubt regard with suspicion. Lear’s Dong has clearly lost its “Ding an sich” and the light on his augmented nose simply illuminates the physical world and fails to get to the nitty-gritty, the thing in itself, whether this be the Jumbly girl he seeks or the missing Ding he does not know he has lost. The Dong therefore, confused by his senses is doomed to wander forever, weeping into the night.

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Spoonerism?

For luminous nose, read “numinous lose” or numinous loss- where the numinous is the spiritual- so, the Dong has lost his soul. He cannot see beyond the end of his own nose. that is a theme that reappears in the original 1964 “Mary Poppins” and leads up to Disney’s beloved song, “Feed the Birds”.

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Jane: An outing with father?

Mary Poppins: Yes.

Michael: I don’t believe it!

Jane: He’s never taken us on an outing before.

Michael: He’s never taken us anywhere!

Jane, Mary Poppins: However did you manage it?

Mary Poppins: Manage what?

Jane: You must have put the idea in his head somehow.

Mary Poppins: What an impertinent thing to say! Me, putting ideas into people’s heads? Really!

Jane: Where’s he taking us?

Mary Poppins: To the bank.

Jane: Oh Michael, the city! We’ll see all the sights and father can point them out to us!

Mary Poppins: Well, most things he can. Sometimes a person we love, through no fault of their own, can’t see past the end of his nose.

masha and the bear

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This was the first subject I dealt with for HTV’s news programme hosted by Irada Zeynalova just before Christmas. The interview was fairly full with questions about the impact of Russian animation in a global market. The particular controversy, however, was a result of an article in the TIMES, prompted by a number of academics-  Professor Anthony Glees, of the University of Buckingham, an intelligence expert, had said: “Masha is feisty, even rather nasty, but also plucky. She punches above her slight weight.” He was, in turn, quoting a slightly obscure paper by an academic in Tallinn University’s Communication School  claiming that the bear symbolised Russia and was designed, according to the Daily Mail, to “place a positive image of the country in children’s minds.” A Finnish newspaper Helsingin Sanomat, reported this in November 2018 but Professor Priit Hobemagi had actually written his paper nearly a year earlier. I do not quite understand why it took so long to come into print at all.

Speculation elsewhere that this story is really about anxiety in the Ukraine was missing from the report on HTV and reports in the Daily Mail and the Times.

The programme is deliciously designed and the soviet details are precise – that is partly where the humour lies- the cap that Masha wears here has a blue band= the colour of the border guards.

I gave a detailed breakdown of the development of Russian animation and made reference to some current projects including the amazing Hoffmanidea and further work by Yuri Norstein who animated the Hedgehog in the fog. tWhat I said was dubbed into Russian though I could not be sure that what I was saying was actually what was being spoken and the studio would not let me have access to the original tapes. Nevertheless, the dubbing seemed to be in line with the general points I raised in the interview.

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