I am just finishing the final sequences of a youtube treatment of the Lear Suite by DAVID WATSON. It should be ready in the next few days for posting!
Meanwhile, here is a recent review of Episode 2 of “British History’s Biggest Fibs”:
Columnist James Waller-Davies gives his view of some of the recent events on television. This column is the most read television column in the entire English speaking world. It’s true. Friendly Russian hackers have leaked the news from a Moldovan website and it’s important this information is shared with you. Yes, it’s ‘fake news’ season. The whole world is gazing, like Alice, into a topsy-turvy looking glass of the make believe. Orwell’s ‘doublespeak’ is topping the book charts again and nothing, it seems, is believable. It is nothing new according to British History’s Biggest Fibs with Lucy Worsley (BBC4). Worsley’s entertaining and informative revision of some the biggest myths of British history is a timely reminder that there’s nothing new about ‘fake news’ – the state, our state, has been up to it for centuries. This week’s topic was the Glorious Revolution of 1688, when Britons cheered the arrival of a new king and queen, William and Mary, from over the channel in what is now the Netherlands. But as Worsley reminds us, that’s a great big lie – it was, in fact, an armed invasion incited by a band of English traitors and an example of ‘fake new’, seventeenth century style. Worsley is a refreshing change to history programming, which in recent years has been overly dumbed down and ruined by soft focus re-enactments and mockumentary dramatisations. That’s not to say Worsley isn’t beyond a bit self-parody and fancy-dress herself, but she is a reminder that an expert, talking engagingly and enthusiastically can be entertaining enough.
Lear wrote some many limericks that there is really no end to the number of crazy drawings possible. Here are a couple of pictures for the new film that are loose versions of what we are also trying to animate for the “Following Lear” project – when it gets properly or fully financed! In the meantime..
Oh and here is one I did yesterday with a picture of Stirling castle in the background. Sometimes, I rather miss the days when I was at St Andrews… Scotland is such a glorious country in all respects!
While Edward Lear often drew cartoons of himself, he was also sketched and photographed a number of times. I have copied some of these images for a quick film I am making to illustrate the suite composed by David Watson, and that uses the themes from some of the songs he wrote for our project “Following Lear”. It is always interesting when looking closely at Lear how he is often looking into the distance. I think this is less to do with the mechanics of the camera and more to do with his general air of melancholy.
More than that, I learnt that a camera remained in the Kokali family and was passed around various houses in Corfu. This camera dates back to the period when Lear was at his most active drawing and sketching images of the landscape in Greece, Turkey and Albania. It is possible that Lear used the camera in his work, that he was comfortable with the machine and relaxed in its company.
Holman Hunt was a good friend and encouraged Lear to paint in teh open air. Lear did so but quickly gave up the effort and went back to his earlier system of creating detailed sketches, often annotated in modern Greek, a language he had studied and picked up in Corfu.
I got asked by the Conservatives to do some animation for the “better off out” campaign.
After the last election, I must admit to being cautious about my position on Europe, and I think it is very difficult to get this across to the public as I fear my own position is probably one shared by many people in the party. Specifically, I worry about excessive and crippling bureaucracy as well as the attacks on Greece by Germany and others that frankly undermine her sovereignty- it does not matter what Greece did to provoke such a response. The fact is that the European project should also guarantee our own individual national sovereignties, even as we move towards greater union, politically and economically. The Captain cod image seems to me to target one of these bureaucratic issues head on, and I have a third video planned where I hope I will be able to refer to Greece’s plight in some way.
While I can imagine a Brexit, I think the practicalities of following that path are worrying and the much better solution is an undertaking to reform the whole European project. This means, though, that we need to be prepared for any eventuality and we need a more robust argument. If the whole thing is catapulted into a discussion of migration, then we have missed the point. The migration issue will affect us whether we are in or out of Europe whatever those in UKIP claim. But more than that, the migration crisis of today will be gone in five years time, while the Europe question will still be important. We were side-tracked at the last election and the agenda was set largely by UKIP’s diet of racism and resentment. We have to control the argument and the discussion now.
Here is the link to the making of Captain Cod
here is the film, link:
some preparatory images
the captain cod film:
a few more preparatory sketches
a picture of Max Miller, one of my heroes, not so much for the naughtiness of his subject matter and innuendo, but for the immediacy of his delivery. We can still all learn from what he did and his influence is seen directly in the work of Frankie Howerd, Larry Grayson and Julian Clary.
You will see all the music hall connections of course and meanwhile I am ploughing on with the project to animate “Burlington Bertie” and “the Night I appeared as Macbeth”, both songs by William Hargreaves from the heyday of the Music Hall. Check my music hall lecture here. Part 2 is on the way.