Civic pride and what we can learn from Istanbul!

In 2006, the Turkish government, run by the AK PARTİ (Adalet ve Kalkınma Partisi) under the leadership of Erdogan began a process to import tulips back into Istanbul.

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Today, there is such an abundance of tulips, that splashes of colour scythe through the city like a parade of multicoloured  dervishes, spreading the scent of Spring. I have been to Istanbul most years since 2004 and I have seen for myself how this transformation has taken place.

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The tulip is just one example of a horticultural revolution that says Istanbul is proud of herself. That pride is evident of course in the colours of the flowers but it is also evident on the faces of the people in the street, the ordinary people who go about their lives feeling better because they can see- and smell- that the Council really cares!

It is actually a fairly simple plan, but I will come to that shortly.

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The tulip was introduced to Turkey from Iran where it grew wild. It is a traditional image on the tiles that decorate some of the greatest mosques around the city and today it has been adopted as a symbol on the Istanbul logo.

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The cultivation of the Tulip became a mania in the Ottoman period, so much so that one particular epoch is called “the Tulip period” and at that time, rare bulbs sold for remarkable sums of money. Trade was international and soon, that mania had passed to Holland, the setting, for example, of “the black tulip” , a novel by Alexandre Dumas. My mother always said she had a black tulip bulb in the safe: I have no idea but it sounded very exotic.

I grew up in a small Market town in Lincolnshire where my mother was involved in the local tulip bulb industry. Spalding was so industrious and the ground so similar to that of Holland that, when I was a small child, the town held its own Tulip Parade to rival that of the Dutch mega-parades in Zundert and Keukenhof. Sadly, the flower parade in Spalding ground to a halt last year. But I loved the imagination that went into making these amazing floats; I loved the fact that they were decorated overnight, and, really, only lasted a couple of days (it’s actually very Buddhist!); and I also loved the complete sensory effect of the flower parade- the noise, the colour, the smell, the excitement, the overpowering beauty and the pride it gave to our small town.

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The mother of all tigers from the Keudert Flower parade!

Check out this archive flim:

I well-remember this parade!

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THE DAVENTRY PARK PROJECT:

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Here in Daventry, I have been campaigning for a restored Professional Park scheme. I am, of course, inspired by the wonderful images from my childhood in Spalding. But I am also inspired, perhaps more so by the practical approach taken in Istanbul by the city Council. I have been talking to members of the Council over the last year with a view to designing some children’s books to celebrate particularly the history of the Fatih district, but I have also been impressed by the overall scheme the council has followed to refresh the city. I intend to talk to Councillors about their scheme and also about how they sourced materials, especially the outside gym equipment which is so striking a part of the overall vision, and I think it would work here in Daventry too!

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I think there are three specific things that the AK party have done:

  1.  the training and courses set up in horticulture by the City in association with local universities and colleges, providing garden design and employees for the future.
  2.  the celebration of festivals and history that also involves research into plants of the past. It is because of this that the tulip has been so revived, but there are also “Monument trees”, that are replanted and tended, restoring the vistas of the past and improving the way the city looks today. It is partly this vision which ironically both inspired the protests in Gazi square to “save the trees” and also inspired the developments that threatened to redevelop the area. The compromise seems to involve some transplanting/replanting and rethinking. For all the negative image this protest created, it shows very clearly that our environment is something people care deeply about.
  3.  The city has established open-field gyms, taking exercise out into the parks and democratising sport in a very real way, giving access to children, the disabled and the elderly. I will be going to Istanbul soon to try to find out how the technology was developed for outdoor sports equipment taht would withstand a climate that is no less changeable and erratic than our own.

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If my vision of what we could do in DAVENTRY is shaped by my childhood in Spalding, my practical proposals follow what has already happened in Istanbul. What we can see there is that this sort of revitalisation works. It is a positive force in society and we can do something similar here in Daventry.

Roscoe Arbuckle and Burlington Bertie

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There is no real link between these two in reality but I love Arbuckle’s work – one of the great masters of silent cinema and treated appallingly by the early studios and by history. I think the shape of our Bertie and “Fatty” Arbuckle is similar. I need to make Bertie as agile frankly. Here is a drawing of a dance done by Arbuckle

 

and below is the progress reel for Bertie…

 

 

Regarding Arbuckle- there were plenty of other scandals that frankly were worse than anything he was involved in, and he was made the scapegoat for the industry at a time when moral crusaders, hot with the success of prohibition, had the “flickers” in its sights and probably planned to close hollywood. Arbuckle spent three weeks in gaol awaiting trial on a case that had been concocted by a woman known for racketeering, fraud, and extortion. Though acquitted of Murder after three trials, Arbuckle had admitted to possessing drink in a city that had a reputation for being fairly lax in applying the principles of Prohibition anyway. Under the Volstead Act, Arbuckle paid a small fine for the alcohol but I think that was sufficient in the end to damn him, and he was brought almost to bankruptcy by the legal expenses. Nominally innocent of the charge of murder, his films were, nevertheless, banned when he was credited by the Hollywood moguls as a man with “bad morals”, and less than a week after he was completely acquitted of murder in 1922,  he was forbidden by Will H Hayes from working in cinema again. While he got round this and made a comeback of sorts in the 1930s, he died before he was able to fully realise his potential. This was a truly great performer and his treatment by the cinema industry was despicable.

Aubade

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The end of last year, Henry Astor asked me to do a title sequence for his film “Aubade”. He is an old friend and I was very happy to get involved. The film was beautifully put together telling the story of the making of a guitar, a song that is written specifically for that instrument and the performer playing it.

 

Here is the Youtube link and a screen capture:

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The following frames are from an earlier version with a more elaborate font

 

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There was an initial screening in the theatre at Chipping Norton where once we did Figaro- more on that very soon.

More Burlington Bertie

Some progress this week in animating a walk cycle for the Burlington Bertie film.

 

 

 

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Much of the walk is hidden behind stage scenery, but the process of getting that movement right is still necessary. Two things emerged in the week- firstly trying to get a walk working makes some very odd shapes in a 2d drawing that perhaps would look very wrong in 3d, and secondly, drawing up background scenery, I realise how important it is to draw a building to fully understand it. So I have now spent 3 days struggling with Big Ben and the house of Parliament. One thing I should add is that animation is genuinely easier with Toonboom/ Harmony, but these big tracking shots remain tough.

Pugin

Pugin provides such complexity. Next week we are off to Ratcliffe to sketch the new prep school that is being built there. Oddly, the architect is a distant relative of the original Pugin. It is some sort of poetic justice. Here is an image of the cloisters at Ratcliffe and of the Pugin facade. I will post images of the new Prep school shortly of course.

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Robin Williams RIP

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When I began teaching, people called me Robin and began to say “Nanu nannu” in class. I had no idea what they were on about until I saw “Dead Poet’s society” which was quite shocking. It was like looking in a mirror. Both the actor and the story were horribly familiar. Already, I had asked students to stand on their desk to see things from a different perspective, so I knew in an instant, as I watched that film, that my teaching career would be brief and that I was somehow linked to this bewitching man called Robin Williams.

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As an animator, spending hours at my desk, there are times when I feel I am walking off the set of “Awakenings”. Also, on animation- the Genie in Aladdin. While this character and the film owe so much to Richard Williams earlier work on “the Thief and the Cobbler”, the Robin Williams voice allowed for a huge range of activity on screen. Often an animator tries to mimic the actions and moves of the actor providing the voice, but in this case Eric Goldberg notes that Williams tended to be fairly static when recording, so what we see on film is a representation of the zany spirit that must have been in Williams’ head. The face is a loose caricature of  Williams nevertheless.

Now, back to my story. In 2004, some twenty years after my adopted mother died, I finally located my “birth-mother”, a woman with the improbably Dickensian name of “Cobbledick”. She had been to a supermarket in Derby around Christmas-time and had bought some flour there that in her words “was riddled with mites”. She had put the flour in her kitchen cupboard and later, opening the cupboard, she found the insects had spread. “I could not go into the kitchen without weeping. The flour decimated Christmas.”

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Once we read this story on the internet, we knew that we had found my birth-mother- a lady of remarkable theatricality. We learnt perhaps too late that she was also someone who was sadly malicious, deceptive and divisive. She seemed to take pleasure in dumping each of her many children often in a particularly cruel way and those I made contact with remain quite bruised by the experience. I was lucky, I think, to have been adopted. She visited us on a few occasions, intending to stay for a couple of days but lingering for a week or more each time. On one occasion she turned up unannounced having had a tiff with her 5th or 6th husband who she claimed on and off to have divorced or lost. She claimed that he was beating her, but he was the one with the bruises. And he was there till the end.

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At some point in the 1960s, I discovered that she had been prosecuted for bigamy. I simply did not think that sort of thing happened, but it is all over the bits of my family tree I could piece together. My grandfather fought in the Somme, survived and returned to a wife in Ireland, and another one in Manchester, never letting on that there was a third thriving somewhere in Paris. With a family like this, is it little wonder I still think there may be a direct link to Robin Williams? In the end, while I was recovering from a botched appendectomy arising from haemophilia complications, one of the few things my mother must have given to me- she went away and we never saw her again. She died a few years ago. Ironically she died on a day while I was filming the Edward Lear film in Albania and discussing my bizarre family with some Albanians. They could not get round the idea that she had given birth to 9 children and abandoned them all. She might have been an appalling mother but she was a great yarn!

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I was one of three children born during a relationship she had with a man called Erik Williams- there is the Robin connection (I know it took a few paragraphs to get there)! I think my parents had eloped from Ireland or something. Although my mother claimed to know the addresses of my two siblings, she never let on and took the information to her grave. All I know is that Ronald joined the Navy, served in Malta and married a Maltese girl. I know next to nothing about my sister except that she spent time in Nottingham.

Anyway, that is the peculiarity. After being identified as a Robin Williams’ lookalike in school, I found that my real family was also called Williams. How strange is that!It is odd that two of the men I have come most admire over the years, Robin Williams and the animator Richard Williams should both share the name of my birth parents! We look for connections in life but frankly they do not need to be biological. Whether there is any real link between me and Robin, therefore, I cannot tell. But today, learning that Robin Williams had died and apparently had killed himself, I feel quite bereft. It is like loosing a member of the family!

There are many sweet stories appearing about Robin. Some of the nicest are linked to the help he gave to Christopher Reeve after he fell off his horse. Williams turned up in hospital pretending to be Russian (he had perfected a Russian accent for “Moscow on the Hudson”) and offering  an anal probe. It made Reeve laugh at a time when he thought there was really no point in going on. More than that, Williams covered his medical expenses. Here is some of that story from a news report and interview with Chris Reeve:

 

It is awful to read stories of his fears of bankruptcy and of the details of his death. More awful perhaps are the tales of bile and prejudice that have come out from people who should know better or who should shut up – suicide is an illness and often a terminal one. It is something that calls out for greater care from friends, medical professionals and the wider public, particularly of those who survive a suicide bid and those who are left behind when the attempt is, as here, evidently successul. Poor Robin.

Here is a picture in his memory. Such a gifted man and a kind man too.

Cartoon opera

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Gilbert and Sullivan is about as cartoony you can get- though Offenbach comes very close. I think animation probably lends itself to music that has distinctive rhythms and an interesting orchestration. The words seem to me to be less important than what is happening musically. Though of course the words tell the story. When the Disney people were animating “Fantasia”, the better animators trawled the score to identify the incidental tunes that lay under the main melody. There is a sequence in the Chinese dance in the Nutcracker where Art Babbitt has talked about “those nasty little notes underneath”. But Babbitt uses those “nasty little notes”! It is precisely this fact that makes the sequence stick out as something remarkable. Culhane references this in his book on Fantasia. It is worth looking at the dance in detail because the perspective goes all over the place and it still seems logical. In the same way, the instruments used to orchestrate a particular sequence will dictate a particular image.

Eric Goldberg animates on the beat and repeats a rhythm with the Carnival of the animals in FANTASIA 200o and Andreas Deja does it too in the same film with the barrel organ in Rhapsody in Blue. But I think Babbitt’s mushrooms still have the edge precisely because they take note of the intricacies of the orchestration and the repeated visuals (a visual ostinato) are not necessarily based on something obvious…

You can find a link to it here: (the interesting points are at.46 and the bow at the end)

and here is the flamingo scene by Goldberg:

I was playing around with the Three Little Maids from School piece at the beginning of the MIKADO.

This is the text: “Three little maids from school are we,Pert as a schoolgirl well can be,Filled to the brim with girlish glee–Three little maids from school.” David Watson has done a very clever arrangement.

I will post more on this shortly because it is an excellent example of a tune that does a great deal. The three voices (Yum yum, Pitti Sing and Peep Bo) are quite distinctive and the whole thing gallops along at quite a pace. Here are some sketches mostly of Japanese hair-styles…

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Below is a page from the notebook on Trial by Jury the storyboards for which move slowly forwards…

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Here in order of development: the first thoughts:

and a more restrained version (music arranged by David Watson, Kanon)

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University Education

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There is a man I would like to meet. His name is Dan Lever. I saw him on the TV this morning and he was almost unable to speak because of the blustering nonsense of his adversary, a rather nasty piece of work called Simon Renton. Of course, Renton may be a perfectly agreeable man but he he was there to explain why University teachers were coming in for so  much criticism. Instead, he tried to savage the present Government’s spending. Rather ridiculous as the rot really set in with the last Government and there has been a long steady decline in investment. A cannot imagine that Renton is a Conservative after this rant, but does he not realise that his socialist comrades look pretty feeble too? Dan Lever, in contrast, seems to be doing something about the problem and good on him! He has started a site called “Student hut” which aims to put students in touch with one another and to ensure as best he can that those who are new to university life are not completely abandoned. I have added a few comments to the sketchbook above which indicates what I think Renton should have said in response to the criticism of University teaching/tutoring. And a bad tutor may not necessarily be a bad researcher and vice-versa. there is room for the most appalling people on University staffs! It is just a matter of finding out where best to pl;ace them, but listening to student feedback is helpful and the Government does not have all the answers or indeed bear all the responsibility for the current mess.